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T. Wignesan

 

 

 

 

 

 

 

 

 

 

 

 

 

 

mere deaths and the mostly dead: (A Collection of Six Long and Four Short Stories)

Author: T. Wignesan Binding: Paperback (pp: 269) ISBN: 978-81-8253-122-2 Availability: In Stock (Ships within 1 to 2 days) Publisher: Cyberwit.net Pub. Date: 2008 Condition: New Description: The author of these short and long stories spent almost all his adult life in some of Europe's major cities and towns since the middle fifties. He has not included all the short stories he has written or published in this collection. These stories however chart in some way the author's parcours through some of the old continent's major urban centres: London, Heidelberg, Berlin, Madrid, Paris, and thereabouts. The author does not wish to mask the fact that he has drawn from his own experiences to fashion parts of these narrations, but the finished products are, of course, fictional in intent, content, and habillement, even if some of the narrative events may be founded on anecdotes and incidents vécus. The frontiers of the réel and the imaginaire therefore tend to blurr, only in the service of the enhancement and encirclement of what may constitute the truth of le vécu. True, truth is stranger than fiction, but truth that is exhibited naked - blinds. One therefore has to rely on the décodeur de la vérité: the art of dissimulation. Not to tell the whole truth is tantamount to lying, for lying distorts, makes irréel what is tangible. And the reader is none the wiser. Here is where the adage: there is nothing new to narrate becomes fictitious. Le contenu unique still necessarily holds the primal place in literature. Only, the writer should not fear the censor or the self-slighted litigant. Writing is lifelong dedication, not a vocation. The writer must be prepared to die like a samurai, though the author doesn't see why he should in these stories. The long short stories may be thought of as potential novellas or novels in gist. The author would have had need of more time to convert them into novels. The long short stories were all of them written at one go in 1993 during snatches of moments.

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The Night Soil Man

Author: T. Wignesan Binding: Paperback (pp: 191) ISBN: 978-81-8253-124-6 Availability: In Stock (Ships within 1 to 2 days) Publisher: Cyberwit.net Pub. Date: 2008 Condition: New Description: Unlike Mulk Raj Anand's Untouchable, this satirical novel serves as a scathing comment on the mindset of so-called middle-caste Hindus, on the one hand, and the colonial settler mentality, on the other, by looking at the issue from across or from the other side of the social divide. The plot unfolds like cinéma-vérité! The action takes place during a few days at a Hindu temple and its environs in the Malay(si)an capital where a national Hindu conference brings together the leaders and representatives of a cross-section of the local immigrant Indo-Sri-Lankan communities, ostensibly to discuss and forge unity among themselves in the face of imminent Independence from the colonial British administration. The introduction of an "Untouchable" or "Night Soil Man" in the midst of so-called higher caste Hindus disrupts the conference. The plot works up to this climax with not-so predictable or likely results, thus making its claims on the nouveau roman genre. The link between the ruler and the ruled is the newspaper reporter Thamby, caught in the grind between the British master and the locals who show no signs of mastering themselves. The characters and events of this story are entirely fictitious in construction and narration. Even if the names of the streets, buildings and lay of the land pinpoint the venue in Kuala-Lumpur, these are not material to the time of the action. For instance, there was no university in the city before Independence was attained in 1957. At that time, the vast majority of Hindu Indians in Malaysia and Singapore was Tamil, and those that constituted the articulate and educated majority among them were - disproportionately - from Jaffna in the old Ceylon. The first nominated "Member" of Education in the Cabinet was a Jaffnese Tamil, and the first nominated U.N. Representative was an Indian Tamil Brahmin. Other more sizeable Indian communities were made up of Sikhs, Punjabis, Bengalees, and Malayalees from India. The conference of Indians or Hindus is an event, however, not unique to this novel, since Indians in Malaysia continue to meet on a national level for various reasons. Any similarity to other such meetings or living persons is purely coincidental, with the exception of the character of the Swami which is founded on a real-life Swami who had a big role to play at one Hindu conference in Kuala Lumpur. The venue of one incident at the end, however, shifts to London in keeping with the logical movement of the story in a colonial protectorate. Here reality and the imaginary intermingle for effect. The novel was conceived and written in a month during July-August 1967 in Madrid, Spain. Some slight changes in the language and style have also been introduced by the author since then.

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Sporadic Striving amid Echoed Voices

Author: T. Wignesan Binding: Paperback (pp: 244) ISBN: 978-81-8253-120-8 Availability: In Stock (Ships within 1 to 2 days) Publisher: Cyberwit.net Pub. Date: 2008 Condition: New Description: Let me put it this way right from the start: If I had had my own way, or rather if I had been in possession of my senses or in my right mind, I would never have worked on Malaysian or Singaporean literatures.

The curious thing about my encounter with Malaysian-Singaporean writers and intellectuals is that I was singularly unprepared to assume the roles of critic, academic or anthologist over their productions at a time when their activity was mainly confined to the University of Malaya in Singapore. And yet, paradoxically, I became just that kind of an exegete, owing to a series of "wilful errors" on my part. Instead of choosing to settle for a career by qualifying in Singapore where the region's institutions of learning, such as, the Raffles College for the Arts or the King Edward the VIIth College of Medicine, I opted for Bar Studies at the Inns of Court School of Law in London as an external student. After a series of further "abetted errors", I found myself teaching English (and American) literature at the University of Maryland in Heidelberg in 1960-61. The university offered me a five-year Fullbright to do a Ph.D. in English (while teaching) at College Park in Maryland, but then as usual I knew better, and I quite naïvely accepted a grant from the Congress for Cultural Freedom, an international cultural organisation whose siege social was in Paris, to travel and report during a tour of South and Southeast Asia. It didn't occur to me then that I could have kept both, for the grant was for only a couple of months. To make things even more difficult for myself, I asked the cultural body representatives (to whom I was introduced and recommended by the Thirties poet Stephen Spender), if they couldn't publish an anthology of writing by Malay(si)ans and Singaporeans. They said they would try the Rockefeller Foundation for a subsidy. The reply: no one was interested in such a collection, not sufficiently enough to subsidise such a project. The muddle-head that I was made me insist that I would go it alone and on my own steam. I didn't realise I was heading headlong into mainstream muddled-up Malaysian politics.

My published doctoral dissertation: Etude comparée des littératures nationales et/ou officielles de la Malaisie et de Singapour depuis 1941, and the present volume do not therefore constitute areas of research I would have wanted to probe. They are accidental fallout instituted by random circumstances.

Curiously, or rather not-surprisingly, no Malaysian or Singaporean has ever acknowledged my contribution to this field of research. And this is as it should be, I concur. 

T. Wignesan - Paris - April 23, 2008

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Rama and Ravana at the Altar of Hanuman : On Tamils, Tamil Literature & Tamil Culture

Author: T. Wignesan Binding: Paperback (pp: 750) ISBN: 978-81-8253-100-0 Availability: In Stock (Ships within 1 to 2 days) Publisher: Cyberwit.net Pub. Date: 2008 Condition: New Description: Just a word to say that even if all the material in this collection has already been made available to readers interested in the subject, here the various articles, essays, critiques, reviews, and interviews have been brought together in a new and refreshing format. Typographical errors, the author hopes, have been put to rights; and where necessary fresh amalgamations of disparate pieces on similar themes have been allowed to fuse together, and a more rigorous layout has been affixed to old and varied presentations of these articles in variegated publications. Some meaningful order, too, has been imposed by organizing material in separate sections. In short, everything has been done to try to make reading easier.

Some published work on specifically Tamil topics has not been included in this volume, for, it occurred to the author, further research on the subject would have been necessary. On the other hand, in an essay like "The Exotic in Aesthetics", a certain amount of the discussion though seemingly alien to the subject matter of this publication leads by argument to the introduction of the treatment of Tamil proverbs and Tamil classical poetry. The review on the re-construction of Borobudur finds its place here for, at the time of its creation, Tamil know-how and culture reigned in the Indonesian archipelago.

The author does not wish to lay claim to being a Tamil scholar or Tamilologist. He is more than aware that he has no genuine competence which could be diligently exercised in the vast and abundant field of Tamil studies. De bon gré, he has 

produced these pieces by his own autodidactic effort and ventures to hope he might have shed some critical light on some Tamil topics, beliefs, and ways of life.

He feels however that the distinguishing feature introduced in this particular mode of academic publication is the section, "Commentary via fiction" or rather "fictionalised comment". Fiction as a receptacle for ideas and concepts in no way diminishes academic rigour; if anything, it enhances receptivity, makes palatable what is normally dry and difficult.

Of one thing though he is certain. As a Tamil, he cannot be discouraged from venturing further in the field of Tamil studies.

T. Wignesan - November 14, 2006  Paris, France

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Victorian (pen-in-cheek) Vignettes
Tales (not so tall) of Timmy, the (not so very polite) Malaya Hall Cat in London    

Author: T. Wignesan Binding: Paperback (pp: 223) ISBN: 978-81-8253-107-9 Availability: In Stock (Ships within 1 to 2 days) Publisher: Cyberwit.net Pub. Date: 2008 Condition: New Description: The Victoria Institution, a secondary school founded in Kuala Lumpur in 1893 by the British administration in close collaboration with the leaders of the three major communities: Malay, Chinese, and Indian in the capital, comes closest to upholding the British public school tradition in the region. Widely recognised as the "premier school" of the country, its established traditions and ties have stood, it might be said, the test of times. The overwhelming role of former alumni in public life attests even today - though the school has lost its former pre-Independence reputation - to time-honoured British educational policies. This collection of eleven vignettes by a former pupil of the school who rebelled against this "strict inflexible tradition" as interpreted and transmitted by the local staff, who had not themselves wholly and intrinsically imbibed the spirit of the colonial tradition, borders on satire, expressed in a rebellious debunking attitude towards his fellow alumni who mistakenly or otherwise assumed the importance of their nurture in an older, well-grounded heritage, both in Malaysia and in England where many or some among them went to qualify later on. To this end, Wignesan has even, sometimes, recourse to ribald language and humour, but always with tongue in cheek. The vignettes also sketch a veridical toile of times gone-by when other socio-political standards held sway in a land still in the making, so to speak. His insights into his fellow-school mates and the long-arm reach of a government over its young in a foreign territory all speak of a Kafkayesque microcosm and makes one wonder if inculcated intrinsic cultural values may triumph over a closed-circuit world of political shenanigans. An air of earnest light-heartedness pervades this collection of vignettes, especially the "not so tall tales" related by Timmy, the Malaya Hall cat in London; perhaps this approach might make what is most unpalatable to the indigene who were/are somehow deprived of an intellectual life and make them now more willing to accept criticism or adopt the chastening habit of being auto-critical.      

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POIETICS : 
     Disquisitions
          on the Art of Creation
 

Author: T. Wignesan Binding: Paperback (pp: 214) ISBN: 978-81-8253-104-8 Availability: In Stock (Ships within 1 to 2 days) Publisher: Cyberwit.net Pub. Date: 2008 Condition: New Description: What is Poietics? The subject of "poietics" (la poïétique in French), with its origins  in the Greek word poïein   ("to make with the intellect"), deals with the science and/or the art or philosophy of creation. To French academics working in the field, the subject has variously meant one thing as a definition and another as a programme of research - from Valery's probes into the making of a poem to Passeron's involvement with the creator's relations with the objet  d'art during the creative act. In this book, the author attempts to lay the foundation either for the formulation of a theory or, contrariwise, for the impossibility at arriving at any such formulaic circumscription on poietics. His "Disquisitions on Poietics" serves as a theoretical inquiry into the subject at large without, however, limiting itself to the fine arts. The author adopts an open-ended approach to the concept of creation. To him, the preparation of an elaborate dish in the kitchen is as worthy of attention as the Big Bang itself. As for tools, he does not exclude the methodology of experimentation in the laboratory or the theoretical calculations and observations of the exact sciences as perfectly valid means by which to unravel the mysteries of creation. The author "created" and edited the first academic bi-lingual journal on the subject: The Journal of Comparative Poietics/Revue de Poïétique Comparée in 1989, and in which appeared articles by Henri Morier, René Passeron, Eric Mottram, José Augusto Seabra, Ananda K. Coomaraswamy, Germaine Prudhommeau, Andrew Greig, Clive Bush, and T.Wignesan.    

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Preface

Twenty three of the thirty-one propositions of the "Disquisitions on Poietics", together with the articles on the poïetics of the "pantun", in French, and the "Yijing" first appeared in the Journal of Comparative Poïetics, Vol. II, n° 1 (Paris), 1992. The article on "Gerard Sekoto" and the account of "Aintinai: la théorie de cinq paysages" appeared in JCL, Vol. I, n° 2 & 3 (Paris), 1991. An earlier version of the propositions XXIV to XXXI of the "Disquisitions on Poïetics" first appeared in Breaking Out: A Critical Miscellany in 1999. Here, in this volume, the disquisitions have been brought up to date and revised. The Mobipocket eBook version does not contain the same number of articles or some of the arguments either.

The second part of the book consists of seven articles/critiques and an interview - on various subjects and whose main purpose was to examine the nature of creativity through each of the topics discussed. As such, what follows the disquisitions proper has been entitled: Further Explorations into the Art of Creation.

Even if the author has found it necessary to debunk the way the subject of poïetics has been treated and/or managed in France (cf. Chapter I: "The Exotic in Aesthetics: A Case Study of Poïetics as the Science and Philosophy of Creation"), and almost subscribes - with certain mostly unexpressed reservations - to a heretical overview of the subject's future research possibilities, he is nonetheless aware of the intrinsically fundamental properties of the ontological approach he has undertaken right from the start and which over time has led him to exploit the subject for a more general and encompassing overview of life as revealed by the ancient Chinese Canon of Changes, the Yijing.

The insights he has gained by a long and personal experience of this book has convinced him of the validity of his convictions and propositions. The substratum of his ideas is therefore to be found in the basic concept of the unfolding year in temperate climes. No book that can foretell the future and advise the inquirer on how to avoid disaster may be ignored. He is convinced that countless generations of Chinese have by the application of rigorous scientific method and inquiry obtained the results that have been fused into the imagery and dicta of the hexagrams and moving lines of the book. It is only by patiently sifting through observable phenomena and collating an infinite number of data, made available through minute observation of Nature in all its unfolding, paradigmatic and cyclical aspects, have these savant Taoists been able to put together a concise statement of the science and/or philosophy of the course of human life on Earth. That the language in which these repetitive behavioural patterns are couched sometimes or mosttimes eludes proper evaluation and interpretation is a matter for education and application. Nothing is for free in life. If one wants to benefit from advice, one has first to be able to find the right wavelength which enables one to listen with humility. And this is no easy chore as far as the book is concerned. And, unfortunately for some, the wondrous music of poesy may even then fall on hardened ears!

In the Yijing, the ancient Chinese had already expounded, as far as the author is concerned, the secrets of the very art of creation which takes the world for its laboratory and life in all its forms as the vehicle of its art form. The present book on poïetics can only serve as a signpost for the very first and ultimate book on the subject.                                                           

 T.Wignesan

Paris, July 5, 2007

 

 

 

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